Our work in Heizhugou began with a question of access. The landscape had clear limits on development; we explored how its culture could offer visitors a meaningful way in.
Ganmo Aniu, a goddess of beauty in local Yi culture, became the centre of our work on Ebian’s city identity. Her story gave us a way to connect the place, its culture and the visitor’s first impression.
We also surveyed an existing forestry road. That part remained fieldwork, while the cultural products were realised. Both experiences continue to inform how we weigh an idea against the conditions of a place.

